Francis Bacon. Couplings
This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in this volume. In Bacon's paintings, the human presence is evoked sometimes viscerally, at other times more fleetingly, in the form of a shadow or a blurred, watchful figure. In certain instances, the portrayal takes the form of a composite in which male and female bodily traits are transposed or fused.
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Издательство:
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Rizzoli
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Год издания:
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2020
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Место издания:
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New York
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Язык текста:
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английский
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Редактор/составитель:
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Martin Harrison, Richard Calvocoressi
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Тип обложки:
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Тканевый
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Размеры в мм (ДхШхВ):
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305x230x18
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Вес:
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997 гр.
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Страниц:
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100
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Код товара:
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1064090
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Артикул:
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1885
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ISBN:
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978-0-8478-6831-5
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В продаже с:
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09.03.2021
Аннотация к книге "Francis Bacon. Couplings":This book highlights a theme that preoccupied Francis Bacon throughout his career: the relationship between two people, both physical and psychological. At its heart are two of the most uninhibited images that Bacon ever painted: Two Figures (1953) and Two Figures in the Grass (1954). After completing these interrelated works, Bacon did not return to the subject until 1967, the year that homosexual acts in private were decriminalized in England and Wales, when he painted Two Figures on a Couch, also featured in this volume. In Bacon's paintings, the human presence is evoked sometimes viscerally, at other times more fleetingly, in the form of a shadow or a blurred, watchful figure. In certain instances, the portrayal takes the form of a composite in which male and female bodily traits are transposed or fused.
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