Openness and Idealism: Soviet Posters: 1985-1991
As we approach the 30th anniversary of the dissolution of the USSR, this publication looks back at the rich history of Soviet art from the USSR’s final chapter: the colorful and radical posters of Glasnost. Ushered in by Mikhail Gorbachev, Glasnost (translating as “openness” or “transparency”) was a movement that allowed for artistic and open-minded alternatives to the state-endorsed Social Realism. Within this movement, posters became the primary vehicles for confronting the history of the USSR from the vantage of its impending dissolution. The book features approximately 212 reproductions of posters from the Martha H. and J. Speed Carroll Collection, as well as essays by Russian history scholar Andy Willimott and art historian Pepe Karmel, and an introduction by J. Speed Carroll. Also included are three interviews with Russian artists who produced some of the posters pictured, conducted by Russian translator Bela Shayevich.
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Издательство:
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Skira
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Год издания:
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2022
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Место издания:
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Rome
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Язык текста:
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английский
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Тип обложки:
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Твердый переплет
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Размеры в мм (ДхШхВ):
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298x253x29
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Вес:
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1700 гр.
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Страниц:
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256
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Код товара:
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1156584
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Артикул:
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748
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ISBN:
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978-88-572-4564-5
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В продаже с:
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23.06.2023
Аннотация к книге "Openness and Idealism: Soviet Posters: 1985-1991":As we approach the 30th anniversary of the dissolution of the USSR, this publication looks back at the rich history of Soviet art from the USSR’s final chapter: the colorful and radical posters of Glasnost. Ushered in by Mikhail Gorbachev, Glasnost (translating as “openness” or “transparency”) was a movement that allowed for artistic and open-minded alternatives to the state-endorsed Social Realism. Within this movement, posters became the primary vehicles for confronting the history of the USSR from the vantage of its impending dissolution. The book features approximately 212 reproductions of posters from the Martha H. and J. Speed Carroll Collection, as well as essays by Russian history scholar Andy Willimott and art historian Pepe Karmel, and an introduction by J. Speed Carroll. Also included are three interviews with Russian artists who produced some of the posters pictured, conducted by Russian translator Bela Shayevich.
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